Well, it's the end of the year and for genre writers this means frantic scurrying to read and nominate all those books and stories you never had the chance read all year long. And for someone like myself who writes in multiple genres, and is a member of multiple writer organizations, it means a lot of eye strain!
With that in mind (and because a few people have nudged me to get my ass in gear), I am also posting that I have a couple of works eligible for awards, in the horror and science fiction/fantasy categories. So, if you're reading this, and you're part of the HWA or the SFWA (or even the Thriller Writers!), please feel free to take a gander.
"The Lazarus Effect" is a weird urban fantasy that involves people facing the possible end of the world when zombies and religion collide. It's out now in the latest edition of Cemetery Dance (#74/75, the big double issue). If you're a member of either organization, you read it for free here: http://www.jgfaherty.com/thelazaruseffect.html
Also eligible, in the long fiction/novella category, is Death Do Us Part, from the now-defunct Samhain Publishing. This is a Tales from the Crypt-type story about revenge from beyond the grave. It's available on Amazon or by emailing me at email@example.com.
So, hopefully I've done my duty for promotion and I can get back to work on those things that are really important for writers: social media, coffee, wine, and sometimes writing.
Wednesday, December 7, 2016
Wednesday, September 21, 2016
It's getting close to Halloween (really, only 6 weeks!) so I thought I'd post my all-time Top 15 horror movies, in no particular order:
1. Phantasm. The first time you see the silver balls, or the Tall Man? Has there ever been a person more perfect for a role than Angus Scrimm? I was 17 when this came out and there were scenes in it that actually made me jump.
2. The Shining. A lot of people, including Stephen King himself, don’t like this movie. Personally, I think it’s great, despite some of the over-acting. The outdoor scenes and bar scenes were the best.
3. The Exorcist. This was a movie that stayed with you long after you left the theater. The scenes of the actual exorcism can't be beat.
4. The Omen. I often consider this a cousin of sorts to The Exorcist. Kids, demons...that feeling that it could happen in your neighborhood. And how could you visit a graveyard after that without thinking of Rottweilers?
5. Burnt Offerings. Many a night was haunted by the memory of that hearse driving past the mansion!
6. Alien. Science fiction? Perhaps, but horror through and through. It’s only purpose was to scare you. Plus, Sigourney Weaver in that tank top and undies!
7. The Thing. I’m talk the Kurt Russell version. Not brilliant, but it did a fine job of providing surprises.
8. Night of the Living Dead. Has there ever been a zombie movie as creepy and perfect as this one? No. The first time I saw it was at the drive in as a kid, and my parents drove away when the first person got killed. I had to wait years to finally see the entire movie.
9. Them! One of the many sci-fi/horror films of the fabulous fifties, this one always stuck with me for some reason when my memories of the others faded.
10. Paranormal Activity. One of the few modern horror movies that lived up to the hype. When done right, found footage hits hard.
11. 30 Days of Night. Yes, you can do vampire movies that are downright creepy and nasty, without reverting back to the same old stories.
12. White Noise. A sleeper, this one raised goosebumps on my arms a couple of times.
13. The Haunting. The original. Subtle horror at its finest.
14. Evil Dead. I fell in love with this one the moment I saw it. And each sequel was only better.
15. Dracula/Frankenstein/Creature from the Black Lagoon. A tie. I couldn’t decide between them. I love all the original Universal Monster movies, but some, like The Mummy, don’t hold up as well. These three do.
Thursday, June 30, 2016
Most people wouldn't think to discuss writing by comparing it to a Monty Python sketch. But today's guest blogger, Brian W. Matthews, not only does just that, he does it in a way that mirrors what he achieves in his latest book, The Conveyance: by using the idea of taking something ordinary and turning it upside down in order to surprise the reader.
Have you ever seen the Monty Python skit, the Ministry of Silly Walks? It’s one of their most famous, near the top of a long list of hilarious British comedy routines. If you haven’t, take a moment to do the Google and watch it.
Don’t worry, I’ll wait for you.
Done? Great. We can move on.
I learned one thing from this brilliant skit—writing well is much like walking badly.
Sounds confusing, I know, but bear with me.
When you walk, hundreds of muscles and a handful of sensory systems work cooperatively and in perfect harmony to move one foot in front of the other, shift your body weight forward, and take that crucial step. This happens over and over, ten thousand times a day. If one little thing goes wrong, you face plant into the ground.
The process works exactly as intended, time and again.
Now imagine if you wrote like that—the way you were taught in college composition classes? Sentences would be long and complex, the flow of words steady and uninterrupted. Perfect sentences forming completed thoughts, the process repeated the same way, page after page. Structurally sound writing that might earn you an A on a composition paper.
But here’s the problem as I see it—reading that kind of prose is like watching a man in a three-piece suit walking down the street. Tick-tock, tick-tock. The same thing, over and over. It quickly becomes predictable, and boring. When that happens, the reader abandons the story and goes on to something else.
Now imagine John Cleese. He’s wearing his proper British three-piece suit, has his leather satchel in hand, yet he’s doing these crazy gyrations as he walks the streets of London. He’s doing the same thing as our first person; he’s walking. That’s it. But what Cleese does, and what makes you want to watch, is you don’t know to expect next.
He doesn’t stumble. He doesn’t fall. His stride is, yes, silly and unconventional, but it’s also perfectly rehearsed and as choreographed as a figure skating routine. You can’t tear your eyes away from the screen.
You watch a man walking simply because you don’t know what to expect.
If you’re a fiction author, your writing needs to be smooth, choreographed, and unpredictable. Break up the length of your sentences. Throw in a few well-chosen fragments. Understand the proper uses a higher level punctuation—semicolons and colons, ellipses and em-dashes—and use them. Make sure your dialogue isn’t stilted. Vary it up.
Make sure your reader can’t predict what’s coming next.
To achieve this level of writing is difficult. It takes practice, and a lot of it. But if you achieve this level of skill, your writing will seem compelling no matter what your subject matter is.
So go ahead and be silly.
Just make sure, like Mr. Cleese, that it is precise and intentional.
Beneath the calm waters and pastoral fields of Emersville, a deadly secret lurks. But when psychologist Dr. Brad Jordan stumbles upon the odd happenings in the town, he sets off a series of tragedies that threatens to expose a danger long kept hidden from the world. Relentlessly following a trail of madness, suicide, and murder, he soon finds himself confronted with a massive conspiracy, and a sinister device known as the Conveyance.
This is the summary of Brian W. Matthews' latest novel, a deceptively quiet story about an ordinary man who gets caught up in mysteries that threaten the fate of the entire human race. Brian, a former psychologist, draws on his experience as a therapist to weave a tale of abuse, betrayal, hope, and terror. The Conveyance is his third book (the others are Forever Man and Revelation).
By day, Brian W. Matthews works as a financial planner, but after the sun goes down--in the deep dark of night--he scribes stories meant to entertain and, perhaps, terrify. When he isn't developing investment portfolios or crafting tales of monsters and madmen, he tries valiantly to knock a little white ball over the rolling green hills of a golf course without hitting traps or trees. He can also be found lurking in the wilds of Michigan's Upper Peninsula, hunting and fishing and generally causing mayhem.
Brian lives in southeast Michigan with his wife, daughter, and two step-daughters. You can follow him on Twitter , Facebook, and his website, BrianMatthews.org.